Good Morning

Today I leave you a very simple recipe to make a facial moisturizer, a handmade, without toxic and completely natural products, difficult? For nothing, easier than you think.

The ingredients for this formula I bought them at Cosmetica natural homemade shop, it is an online store, which from here I recommend, with very good prices, very good service and the most important very good quality products. All are natural and certified, you can find several versions of the product, refined, unrefined, natural, bio ….. but it is a safe bet.

Let’s start then.

A basic moisturizer consists of three parts

-Aqueous part (distilled water, hydrolate)
-Part composed of fats (oils, shortenings ..)
-An emulsifier so that these two parts come together and there is one up and one down.
Once the mixture is added, you can add essential oils and vegetables to boost the formula and enrich it with these. You can also add, collagen, vitamin E, and a long etcetera.

But let’s go slowly, today a basic nutritious recipe for dry skin.
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70 gr. distilled water

15gr. Extra virgin olive oil first cold pressure

10gr. Shea butter

5 gr. Emulsifier (wax lanette)

(With these four ingredients you would already have your basic cream. To cover the needs of dry skin we will add the following)

5 drops ylang ylang essential oil

5 drops essential oil of incense

1 drop natural preservative geogard 221

(If you do not put preservative, the cream will last a month or so, it all depends on how you handle it, if it is in the refrigerator … with a preservative of four to six months)


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Tools we need, a digital scale, to weigh the ingredients (this is from lidl)

Mini mixer to mix the ingredients (es de homemade natural cosmetics shop)


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A container for the cream. I used a recycled glass.

A wooden stick of Chinese food, to remove.


Alcohol, no matter what the graduation, to disinfect in spray.

A hook and a glass bowl, for the bath Maria.

Do they look like a lot of things? Haha, you’ll see how when you do it does not look like so much, it’s like a kitchen recipe, when you get the truquito it’s very easy.

Elaboration.First we disinfect all the utensils, once clean, with the alcohol sprayer. For example, the container of the cream, I open it, give it two beats of alcohol and I leave it upside down on a kitchen paper to evaporate the alcohol. If I have something left, I take it out with a piece of kitchen paper.
We weigh the ingredients on the scale, olive oil, shea butter, lanette wax and water.
We put the olive oil + shea butter + lanette wax in a glass bowl. Over very low heat and stir with the wooden stick until they melt together and become liquid. If it is done at high temperatures and strong power, the ingredients lose properties. Once liquid remove from the fire.cera derritiendose

In another glass bowl, pour the water and put it in the water bath to cool it. Once it is tempered, add the melted fat, bone to the bowl of water and pour the liquid content resulting from melting, karite, olive And lanette.
And mix with the mini mixer. Until you get a cream texture.
The base cream is already there!
As we will fill it with properties suitable for dry skin, we add five drops of ylang ylang essential oil, which also balances and relaxes. And five drops of great incense essential oil for dry and damp skins.
If we want to use preservative, we throw one or two droplets at most, before adding essential oils.
Well you see, it seems liosillo but when you do it is very easy and fun and the best, you know what you are throwing in the face, because the ingredients have chosen you.

If you have oily skin:

70 gr. distilled water

15 gr. Jojoba oil

10 gr. Cocoa butter

5 gr. Wax lanette

10 drops lavender essential oil

1gota preservative

If you have sensitive skin:

70gr. distilled water

15gr. sweet almond oil

10 gr. Cocoa butter

5gr. Olivem 1000

10 drops chamomile essential oil

1 preservative drop

If you have mixed skin

Just like the greasy skin recipe but replaces jojoba oil with olive oil.

I hope you cheer up and make your magical potinguillos!

Traductor de Google para empresas:Google Translator ToolkitTraductor de sitios webGlobal Market Finder


Rear of 14-karat gold – Univision

Editor’s note: with the order to maintain the integrity and the meaning of the text of the columnist respected a number of terms that could be offensive to some readers.

Kim Kardashian just came back to break the Internet. What has been done so many times that we should seek a new term. This time, because a paparazzi took photos in Punta Mita, Mexico, to his great and recognized back in 2014 starred in the cover of the magazine Paper. These photos, however, shows ‘
buttocks’ without touch-ups, with cellulite, as they tend to be the ‘butt’ of that size.

The photos that tell the story behind the rear-millionaire Kim Kardashian

The butt of Kim Kardashian produces mixed feelings. To see the photos, the presenter Sussana Reid in Great Britain held that Kim Kardashian “shows up in a natural way” and its companion set, Piers Morgan, replied “What have you achieved by having cellulite? […] The defects should not be celebrated”. In this talk a summary of the reasons why the ‘ass’ Kim Kardashian is important.

First is what it says Reid, that the Kardashian “shows the natural”. This phrase is key because it tells us two things, first that she has the power to choose to be displayed, does not show a third party, it shows, even with the paparazzi that they purport to “steal photos” we know that Kardashian is in complete control of your image. The big problem with the images of the bodies of the women is who decides what images are posted, who is profiting from them, who uses them. The historical answer to these three questions is the same: men. Or to be more precise, men, whites, heterosexuals. However, in the case of Kim Kardashian, the answer is herself. She is the one who is profiting from these images and who is in control of his narrative. This is a power unusual for a woman. Now, the thing would be more revolutionary if in time to make a profit for itself of a system that fetichiza the race and objectifies women, help to destroy that system. But even with that limitation, every time people ask, “why care so much about the butt of Kim Kardashian?” forces us to question that system.



Video: The evolution of the rear-millionaire Kim Kardashian /Univision

The second thing is that Reid says that Kardashian is “natural”, when it is evident that it is not: Kim Kardashian is a woman who, every day, produces itself for the cameras, it takes years intervening and your body (be it with makeup, surgeries, or gym) to look like an ideal. It seems a thing most rare, but in reality this is something that all people do with our bodies: we dye the hair, use contact lenses, we resort to the orthodontic treatment. No one is natural. But Reid uses the word “natural” because, like having a ‘ass’ big man is usually frowned upon, women work a lot to change it or hide it. Kardashian does the opposite: it presumes. So it is not that she is all-natural, it is who refuses to disguise a part of your body that society requires us to keep it hidden.

And there is where comes the problem of race. What we think is beautiful actually has in the background some political reasons. For example, it seems to us that the noses are fine and small respingadas, as the noses of the white people. The cosmetic industry sells loads of hair products to women all over the world alisen your hair, to have it as white women. The beauty also depends on exercise and eating well, something that in the contemporary world it is a luxury of the upper classes, who are the only ones that have the money and the time to do it. And ‘asses’, well, they are supposed to be small, duritos and paraditos, as they tend to have the ladies-rich white. In the spectrum of the feura tend to be brown skin, curly hair, noses flat and wide and the ‘assholes’ large. Do you see? Most of the times that beauty is pure racism and there is a wide range of beauty treatments whose function is to make us pure.


When in the famous success of Calle 13, ‘Dare’, a line says “here toa’ the puerto ricans know karate they cook with tomato sauce wet rice with a little bit of avocado pa’ harvest buttocks 14 karat”, the line is shocking and empowering. Outrageous because in our society white talking about the rear thing is a taboo. Literature, dance and african music in change, make it a celebration to this part of the body, which in this context is a form of resistance. That is to say: “we are not white”. Because of all these, any person of great ‘buttocks’ will tell us that the thing is irremediable. And these people can spend their lives hating that part of your body for not conforming to the beauty standards of white or love it and celebrate it, say that it is are “buttocks of 14-karat gold”. I’m sure that verse was and still is very empowering to many women.

And now to finish, a drum roll and distorted of eyes to comment on what he said Piers Morgan, a white man and european talking about what is and is not a defect in the body of a woman of color. Do you see the violence? For years, men have dictated what is and is not a defect in our bodies. Cellulite for example seems to be the worst thing that can happen to you, but the majority of women have it and it does no harm to the health. However, as we have been told that it is a defect, and that we have such men, of course, there are tipejos like this that that to associate it with a lack of morality.


If the butt of Kim Kardashian has power is because we, with our prejudices, is what we give. We are shocked that a woman owns her body. We are offended that this woman held a trait of your body that tends to be discriminated against. And she, as he did with the sex tape that was leaked without his consent, we turned our racism and our sexism and is profiting from them. That’s why we replied to Piers Morgan: “you ask what I do. I’m sitting here on the beach with my perfect body”.


Siobhan O’Loughlin fracture de la BAIGNOIRE Commence à l’Ouvrir … – Broadway Monde

À la suite d’une acclamé et sold-out spécifique au site d’exécuter ce passé de l’hiver à new york, SIOBHAN O’LOUGHLIN apporte son intime en solo théâtral à un lieu permanent pour la première fois! LUNDI SOIR À 7:00PM DÉBUT MAI 1à La Chambre Rouge au KGB Bar. Fracture d’un OS de la BAIGNOIRE est primé immersive d’une personne de jouer en prenant place à l’intérieur d’une réelle baignoire. Après un grave accident de vélo, une jeune femme retrouve le courage de demander de l’aide, et les actions de son histoire, explorant des thèmes de traumatisme, de la souffrance, de générosité et de connexion. Le public prend le rôle de Siobhan des amis proches, l’écoute et le partage de leurs expériences, et d’aider la fonte revêtu de l’artiste, dans son véritable rituel de prendre un bain.

Os cassé Baignoire joue le calendrier suivant – billets en vente dès maintenant à travers 26 juin:

Les billets sont $35.00 et sont maintenant disponibles en ligne à l’ Il est une BOISSON MINIMUM par patron.

Durée: 1 heure (Sans entracte).

Os cassé Baignoire de Siobhan O’Loughlin sur Vimeo.


Os cassé Baignoire a effectué à vendu le site spécifique de sites partout dans le monde, a reçu un Remarquable Solo de la prime de Rendement à partir de La New York Innovantes de Théâtre de la Fondation, et a été nommé dans le Top Dix Spectacles à ne pas manquer par les Pages de la Ville de Minneapolis, Meilleures Performances en 2016 par DC Métro Théâtre des Arts, et l’Immersion des pièces de Théâtre à Voir par Le New York Times. Il a été présenté sur la chaîne Japonaise NHK et du Brésil ARTE1 les réseaux de télévision.

Fracture d’un Os de la Baignoire a été créée à Tokyo, et a depuis été effectuée à travers l’Australie, l’Irlande, le royaume-UNI, et à travers les etats-unis-à partir de Los Angeles à Baltimore, à Saint-Louis, Minneapolis et Orlando. Ce Nouveau York exécuter (dans une nouvelle version révisée reflétant les événements) sera de retour après une précédente vendu le début de la production en 2014 présenté dans Le New York Times: “Un Surréaliste de Plongée Immersive Dans le Théâtre.”

Après un accident de vélo, conduisant à une fracture de la main, Mme O’Loughlin a commencé emprunt amis de baignoires de tous les coins de New York (depuis elle n’avait qu’une douche). Conçu à partir d’un jeu de Mme O’Loughlin est des écritures de journal après l’accident, fracture de la Baignoire est un témoignage de la bonté et de la générosité de ses amis, l’aidant à prendre un bain, l’achat de son dîner, laissant son vin et chocolat, recevant ses nouvelles bulles, et de laver leur favori chaud peignoirs de bain pour son utilisation. L’expérience théâtrale tiges à partir de combien leur ouverture d’esprit, la gentillesse, et la générosité ont contribué à sa guérison, ainsi qu’une méditation sur nos nombreuses voies de la guérison grâce à l’auto, de la communauté, et les mouvements politiques autour de nous que nous inciter à continuer…même dans des périodes difficiles.

Fracture d’un Os de la Baignoire, à New York, est produit par Jason Rost. Il est financé en partie sponsorisé par le Savon Cherie dans Williamsburg – unique organique du savon et de produits de bain.

SIOBHAN O’LOUGHLIN est basé à Brooklyn écrivain, artiste, activiste et dramaturge primé qui se balade sur son travail en solo à l’étranger. Elle est un Papillon de nuit Histoire Chelem, l’un des membres fondateurs de l’australie et de l’Amérique conte conglomérat Tout est Partout, un dramaturge avec Indie Théâtre Maintenant, une formation de Joker avec le Théâtre de l’Opprimé new york, à New York Innovantes Theatre Award gagnant, et bénéficiaire d’une subvention du Réseau de l’Ensemble des Théâtres.

O’Loughlin a reçu son BA en Agissant de Towson University à Baltimore, MD, a étudié Conçu Théâtre et de la Chorégraphie à l’étranger au Dartington College of Arts dans le Devon, en Angleterre, et a pratiqué le théâtre de marionnettes sous la tutelle de Peter Schumann au Bread & Puppet Theatre en Glover, VT. En plus de son travail en solo, O’Loughlin a passé les sept dernières années à new york puppeteering, jouer du ukulélé, de l’hébergement mensuel de l’art de la performance pot-pourris, et d’éduquer les jeunes dans les arts créatifs.

Performance Solo est Siobhan du vaisseau principal de l’œuvre créatrice. Elle dispose de trois-longueur de spectacles en solo, La Corde dans les Mains, Naturel Novice, et Brisé les Os de la Baignoire, qui ont fait une tournée à l’échelle nationale à travers les états-unis et dans le monde à travers le royaume-UNI, l’Irlande, le Japon et les Philippines. La Corde dans Vos Mains a reçu cinq étoiles à Edinburgh International Festival Fringe et à Washington, DC., ainsi que remis Frange Écraser à Saint Louis, MO. Naturel Novice a été élu le Meilleur de la Fête au Charme de la Ville de Fringe Festival à Baltimore, MD, et aussi le destinataire de l’2014 Frange Écraser les prix à la St Lou Frange. Ces deux spectacles ont également été présentés à l’université, où Siobhan paires de la performance avec un atelier dans la narration, l’engagement civique et l’activisme.

Légendaire de l’East Village KGB Bar a récemment créé, sexy et intime de l’espace pour divertir, il déborde de la foule. Titulaire Denis Woychuk a donné son interdiction bâtiment de l’époque, c’est en raison, la première fois un speakeasy style club au 3ème étage à 85 E. la 4e Rue. L’occupation limitée Rouge Chambre dispose d’un gangster inspiré des libations avec des noms comme Wiseguy et Cocksman et des antiquités de la période, y compris une plaque de cuivre d’une baignoire. L’discriminatoire à l’endroit favorise la sensation d’une époque révolue lors de la tristement célèbre gangster Lucky Luciano Palm Casino habité l’immeuble.


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